r 


WEG 


2 


he 


othe 


Pi 


"Phere was not much spirit to the “4 
jn.the early part of the evening, and the 
first thirty pictures were sold at exceedin Che 
low prices. ‘‘A Frosty Morning,’ water 
color, evoked little enthusiasm, . 
disposed of Some of the smaller. 
| canvases, wh 

Mr. Mosler’s st 

afternoon at the same galleries. 


=e 


> 


YORK HERALD, 


wostin tues \ 
SELL FAIRLY MEL 


est Price $1,800, Paid by Henry 
eligman for Canvas Entitled 
“Tnvoking God’s Blessing.” 


tr ee IQ) er ee et 


ARLY $12,000 IN ALL. 


maller. Paintings and Water Colors 


ring Low Figures, but One Es- 
ceeded Artist’s Value. 


? 


e SPIRITED 


ee 


enry Mosler’s paintings, ninety-eight in. 


er, sold well last night at the Ameri- 
Galleries, considering that it was 
rtist’®? sale and that they were work 


"a man who is very much alive. The total 
nt realized’ under Mr, Kirby’s hammer - 


BO. : 
the paintings were small, and some 
these were sold for rather low prices. 
voking God’s Blessing,’ representing a 
it amily asking grace at_its frugal 
gat. the highest price. It was sola 
‘Seligman for $1,800. ‘The Last 
for which the artist received 
the International Exposition im 
889, and at the Royal Academy, 
1892, was sold to A. Hollander 


ost Story,” a large canvas. ex- 
e Paris Salon in 1894, was pur- 
D. Hichenhauser for $850. ae 
ser of the ‘“Normandy Garden” 

'. Rolfs, Jr., who paid $275 for 
J. Meurer secured ‘Helping 
hich in 1896 won the Thomas B. 
at the National Academy of 
price was $675. W. J. Walter 

g the Koran’ for $400. . 
some surprises 

le Tom.” a head, on which the 
Mr. Kirby, said the artist had 
price of $150, suddenly began 

‘ang eventually brought $220. 

. Wedding Gown,” a water 


BIDDING, 


in the collec-_ 


5, and a very large canvas— 
of Bazenval,’” was sold for 


NEW_YORK TIMES. 


JANUARY 


TA. 


ee 


1900. | 


. PICTURES SOLD. 
‘(A Total of $11,737.50 Obtained for 
Ninety-eight Canvases, . 
The ninety-eight pictures by the well- 
‘Known American artist Henry Mosler, 
which have been on exhibition at the Amer- 
fean Art Galleries for a week past, were 
sold there at auction last evening, and for 
a total of $11,737. 50. The attendance was 
large. Every seat | yacious up-stairs 
gallery where the sale took place was filled” 
‘when the saie began, soon after 8 o’clock, 
and a number of women as: well as men 
stood the auction ‘through. es 
While the interest evidently felt in the 
sale was evidenced by the large attendance, 
the bidding was at no time spirited, and the 
prices realized were only fair, as is apt to 
be the case in the sale of one artist’s 
sole work. The large genre pictures, which 
have brought Mr. Mosler many artistic 
‘honors and deserved reputation, were sold. 


for unexpectedly ‘low figures. Mr. | 
Wichenhausen secured the dramatic “ 


| 


. z 
ee t 


for $850, while Mr. 


| the ‘' Invoking 
| Simple yet st 


emande 
he _ best 
Other 


ra 

Thomas B. C larike. Pr 4 
,exhibition of 1896; 
| soe boata toe ** The : 
$225 pai y Mr. S. H. Wakeman, 

The Coquette—First Empire.” ‘The pone fe 
cpeyesce, mea aemprised the major part 

e collection, brought on ay e 

from $35 to $75 each. i Brie 
-- Ehe sale of Mr. Mosler’s studio 
including a collection of Indian ¢ 
and of a number of pictures by 
and foreign brushes, owned als 
artist, will take place in the Am 
Galleries this afternoon. | 


6 


roken Sabot,” — 


ce) 
4 
79) 
yn 
io} 
J 
aa) 
yn 
QA 
c 
Oo 
oO 
. 
<4 
° 
> 
z 
— 


No, 94. 


a 


PAINTINGS 
HENRY MOSLER, A.N.A. 


‘STUDIO Bla CLS 


TO BE SOLD AT ABSOLUTE PUBLIC SALE 


On THURSDAY EVENING, JANUARY 18TH 


AT.S-0'CLOCK 


ConTINUING FRIDAY AFTERNOON, JANUARY 19TH 


AT 2.30 O'CLOCK 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE, SOUTH 


WHERE THE COLLECTION WILL BE ON VIEW FROM 
THURSDAY, JANUARY IITH UNTIL DAY OF SALE 


THOMAS E. KIRBY AMERICAN ART ASSOCIATION 


AUCTIONEER MANAGERS 


NEw YORK 
1900 


ero 


CONDITIONS OF SALE 


1. The highest Bidder to be the Buyer, and if any dis- 
pute arise between two or more Bidders, the Lot so in 
dispute shall be immediately put up again and re-sold. 


2. The Purchasers to give their names and addresses, and 
to pay down a cash deposit, or the whole of the Purchase- 
money 2f reguired, in default of which the Lot or Lots so 
purchased to be immediately put up again and re-sold. 


3. The Lots to be taken away at the Buyer’s Expense 
and Risk «pon the conclusion of the Sale, and the remainder 
of the Purchase-money to be absolutely paid or otherwise 
settled for to the satisfaction of the Auctioneer, on or before 
delivery ; in default of which the undersigned will not hold, 
themselves responsible if the Lots be lost, stolen, damaged, 
or destroyed, but they will be left at the sole risk of the 
Purchaser. 


4. Lhe sale of any article ts not to be set aside on account of 
any error tn the description, or imperfection. All articles are 
exposed for Public Exhibition one or more days, and are sold 
just as they are without recourse. 


5. To prevent inaccuracy in delivery and inconvenience 
in the settlement of the purchases, no Lot can, on any 
account, be removed during the sale. 


6. Upon failure to comply with the above conditions, the: 
money deposited in part payment shall be forfeited ; all 
Lots uncleared within two days from conclusion of sale 
shall be re-sold by public or private Sale, without further 
notice, and the deficiency (if any) attending such re-sale 
shall be made good by the defaulter at this Sale, together 
with all charges attending the same. This Condition is 
without prejudice to the right of the Auctioneer or Managers. 
to enforce the contract made at this Sale, without such 
re-sale, if they think fit. 3 


THE AMERICAN ART ASSOCIATION, 
MANAGERS. 
THOMAS E. KIRBy, 
Auctioneer. 


PVuURODUCTORY 


Mr. HENRY MOSLER, the well-known American artist, who 
during the past twenty years has resided in Europe, now for the 
first time presents a collection of his paintings at public sale. 
From time to time individual pictures from Mr. Mosler’s easel 
have found their way to the United States, been exhibited, and 
attracted attention, notably, ‘‘The Last Sacrament,” which was 
awarded one of the prizes at the American Art Association’s 
Prize Fund Exhibition, in New York, in the spring of 1885. 

While Mr. Mosler’s greatest success has been gained during 
his residence abroad, he is distinctively an American artist, with 
his chief interests lying here. His early years were passed in 
Cincinnati, where he began his art studies under the well-known 
James H. Beard. Two years during the Rebellion he was at- 
tached to the staff of Harper's (‘Special Artist”) Weekly, and 
as volunteer aid-de-camp to Gen. R. W. Johnson, was‘in the field 
with the Western armies. Immediately after this he went to 
Diisseldorf, and thence to Paris, where he entered the studio of 
Hébert, Director of the Ville de Medicis, the French Fine Art 
Academy at Rome. Returning to the United States after a brief 
sojourn abroad, he exhibited his well-known picture, ‘‘The Lost 
Cause,” and at once secured recognition in art circles. In 1874 
Mr. Mosler again visited Europe and entered the Academy at 
Munich, where he remained six months, studying under the direc- 
tion of Wagner and Piloty. During this brief sojourn there he 
won a medal at the Royal Academy. From Munich Mr. Mosler 
went to Paris, and there he has since remained, closely applying 
himself to his life work. Soon after taking up his residence in 


the French capital he began two pictures which his former master 
urgently advised him to place in the Salon. They were accepted, 
and since 1878 Mr. Mosler has been an annual exhibitor at that 
great art exhibition. 

The conspicuous feature of Mr. Mosler’s second exhibit at the 
Salon, 1879, ‘‘ Le Retour,” brought him an honor that had never 
before been accorded any other American artist. The French 
Government purchased this picture, and placed it in the gallery 
of the Luxembourg Museum. ‘The Purchase of the Wedding 
Gown” (Salon, 1880) was painted upon the order of M. Edmond 
Turquet, Minister of Fine Arts of France, and is now in his 
private collection. 


Peay OF HONORS RECEIVED 


Medal, Royal Academy, Munich, 1874; Salon, Honorable 
Mention, 1879; ‘‘ Le Retour,” purchased by the French Govern- 
ment for the Musée de Luxembourg, 1879; Gold Medal, Inter- 
national Exhibition, Nice, France, 1884; Prize Fund Exhibition, 
American Art Association, New York, prize $2,500, 1885 ; Salon, 
Gold Medal, 1888; Exposition Universelle, Paris, Silver Medal, 
1889; Hors Concours, 1890; Chevalier de la Legion d’Honneur, 
France, 1892; Officier d’Academie, France, 1892; Archduke 
Karl Ludwig of Austria Gold Medal, 1893; elected Associate 
of National Academy of Design, 1895 ; Grand Gold Medal and 
Diploma of Honor, Atlanta Exposition, Georgia, 1895 ; Thos. B. 
Clarke Prize, National Academy of Design, 1896; Gold Medal, 
“The Art Club,” Philadelphia, 1897. 


PICTURES PURCHASED BY AND INCORPORATED IN 
THE FOLLOWING MUSEUMS: 


Luxembourg, Paris; Sydney, Australia; Grenoble, France ; 
Louisville, Ky.; Polytechnic Institute, Pennsylvania Academy 
of Fine Arts; Cincinnati, Ohio, Museum; Springfield, Mass., 
Museum; New York, N. Y., Metropolitan Museum of Art. 


CATALOGUE 


Seley THURSDAY. EVENING 


January Eighteenth 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8 O’CLOCK 


4) oh f 4 
a } 1G ae Yh Ante 
Bere, WESTPHALIAN GIRL 
| Height, 11 inches; width, 9 inches 
i < No 7 Ale 
PURCHASING THE WEDDING GOWN 
Water color 
Height, 7% inches; width, 6% inches 
/ so a 
3 Oh.) Le. “Ae 


Ed, THE DESERTED HUT 
Height, 5% inches; length, 9% inches 


7: pow | 
ey 4 e / \ (Darter 
THE VILLAGE BLACKSMITH 
Height, 123¢ inches; width, 9% inches 


eae, A FROSTY MORNING 


Water color 


io | 


Height, 8% inches; length, 11 inches 


ae ee 6 ot. ee 


/ THE CASTLE HENRI IV., BORAN 
Height, 9% inches; width, 5% inches 


00 GERMAN PEASANT HE 


Height, to inches; width, 8 inches 


O° ST. MARK’S PLACE, VENICE 
Height, 9% inches; length, 13 inches 


30 MONASTERY COURT, CAPRI 
Height, 9% inches; length, 1234 inches 


ope 10 A 5 Cee 
REVERIE, CAPRI 
Water color 


Height, 11% inches; width, 9 inches 


i Beil Q | wh Cntr E2— 
VENICE MORNING, GRAND CANAL 
Height, 9 inches; length, 13 inches 


P25) 


Wa 
2 j Y/ co Mey J 
ee me 1. U gre dO Cade 
INDUSTRY, GRANDCAMP 


Bord 


Height, 12% inches; width, 9 inches 


| D ee 
ot ‘s 3 13 Da ayy on ee Ont dee 
THE COVE, NORMANDY "A 
Height, 6 inches; length, 9% inches 


/) 
af 14 A. (J ahem 
THE FIRST SNOW 
Water color 
Height, 12 inches ; width, 9 inches 
’ VRinviee 
Hd iP 


NIG) Ts ALY, ad ban 


Height, 11 inches; width, 7 inches 


P z a 


GATHERING FAGOTS 


Bd Height, 12 inches; width, 9 inches 


ee some det 


THE VETERAN 


Height, 13 inches; width, 9 inches 


ee 


Neth THE WILLOW 


Height, 9% inches; length, 12% inches 


19 be. 


pha OLD FISHERMAN 


Height, 12 inches; width, 9 inches 


20 


THESCE LCE R. PURITAN | a 


Height, 10 inches; width, 7% inches 


: oo 7 
FRANCIS THE PIRST gay, BRITTANY | 


Height, 6 inches; length, 9% inches 


/ 30 


JS 


ie j ee 
O° 22 AY. do. Orie fe 
OLD VITRE, BRITTANY 


Height, 9% inches; width, 5% inches 


JO &, Ye J 
- WM. to tang 
SANTA ZACCHARIA PONTE L’HERBE, 
VENICE 
Height, 10% inches; width, 7% inches 
y . 
; ; Wj, f 
Sawn SO 24 ue a thin. HE 
PONTE VECCHIO, FLORENCE 
Height, 7 inches; length, Io inches 
25 a Keo- Vy " 
‘aS , ( Ky P28 — 2 Y 
oe) THE WINDMILL vid U- “aA, 


Height, 10% inches; width, 74 inches 


£ sv - PDyrg ST, hae 


od: NEAPOLITAN WATER CARRIER 
Height, 10% inches; width, 6 inches 


gf L204. Wo. Aram 


oO” IN THE ORCHARD 


Height, 12 inches; width, 9 inches 


| i 
30 28 vs ie ark 


THE FARM, NORMANDY FA 
Height, 10% inches; length, 13% inches 
Ee. sO s TL ertrt 
7 29 oe 
THE OLD MARKET PLACE, faourt, 
BRITTANY 


Water color © 


Height, 10 inches; length, 14 inches 


ie 


aN THE MORNING-GLORY 
Height, 16 inches; width, 12 inches 
31 | Pari 
oa EVENING PRAYER 4 D1 AA 


Height, 13 inches ; width, Io inches(/ 


CF, 26 Y Vln 
f WADING THE BROOK) 


Height, 18 inches; width, 14 inches 


» i 7 


THE COQUETTE, FIRST EMPIRE 


Height, 10% inches; length, 7 inches 


Po A 


ae SO 


ee 


Be. 


AST 


34 
THE TRUANT 


Height, 19 inches; width, 14% inches 


sae 
35 ON gi 
A SUMMER DREAM 


Height, 16 inches; length, 22 inches 


36 
NORMANDY MILKMAID 


Height, 23 inches; width, 17 inches 


ay 
OLD VITRE, BRITTANY 


Height, 21% inches; width, 18 inches 


38 Ir WV +¢-aliem 


REE S FORM 


Height, 22 inches; width, 18 inches 


- Ue. NoglL,,. ber 


iiLEy OCD CHEST 


Height, 20 inches; length, 23 inches 


40 py 5 Wn alle 


Lf 0 
TEACHING THE KORAN 


Height, 25 inches; width, 19 inches 


ae ine re ay GAD © Cel Ra 


HARVESTER’S REPOSE 


Height, 20 inches; length, 24 inches 


re ae a i 


GIRLS AT THE SPR 


Height, 25% inches; width, 20 inches 


eon 


ot WV 
UNCLE TOM 
Height, 25 inches; width, 18 inches 
H+. Q. Ure 
cae 44 ; ‘ 
/ THE DINNER CALL 


Height, 24 inches; width, 18 inches 


s Jr Ce 


; REVERIE, NAPLES 


Height, 15 inches; width, 8 inches 


mee. ies 
i. St AP LIne 
MEZY, NORMANDY G 
Water color 
Height, 14 inches; width, 10 inches 
$0 | | 
head sen ah Sy oy 
CONTENTMENT, BRITTANY / 
Height, 14 inches - width, 10 inches 
48 4 Ay7 ee! rah 


FROM THE SPRING 
Height, 12 inches; width, 9 inches 
(| ea: (A y 
49 I Ube U Ba 7 Oe 
SEA WOLF [) 
Height, 13% inches; width, 9 inches 


50 [ p. ete. ee Wn£o 
THE MORNING PRAYER 
Height, 13 inches; width, 9% inches 
ie a Bi 
51 (% ¢ Y arr tie 


GOOD CIDER, NORMANDY 
Height, 13 inches ; width, 9 inches 


| 5 ae is 
ig 9 ie ae es é. i“ ee LAL 
THE SUNBONNET 


Height, 12 inches; width, 9 inches 


deeey VERY seu 7X Va 
90 93 4 1 Ca Ce Malte 
EVENING AT QUIMPERLE 


Height, 9 inches; length, 13 inches 


ee oe 54 af a CAL 


( GRANDMOTHER’S BIRTHDAY 
Water color 


Height, 14 inches; width, 10 inches 


6S. 719, Sehe 


LOW TIDE, NORMANDY 


Height, 12 inches; length, 1734 inches 


/O3” oo Frontlen | 


SPARE -HOUR, -CATSRiie 
Height, 29 inches; width, 23 inches 


Sha 57 Ip ye 


WATER CARRIER, CAPRI 
Height, 36 inches; width, 25% inches 


60 | 58 Dn a AO OS 1a 


NOVEMBER IN THE FOREST OF ( 
FONTAINEBLEAU 


Height, 29 inches; length, 36 inches 


59 / 
J / 0 of / iy VA, / 
THE OBROKEN SABOT: (4 © th. bet 


Exhibited at the Royal Academy, London, 1892 ff 
Height, 28 inches; length, 38 inches 


WA | 
7) 2B) / 
/ 2 c- mC rng 
Wao Re ELE APPLE LRER 
Height, 36 inches; width, 29 inches 


THOUGHTS OF THE ABSENT ONE 
Height, 39 inches; length, 51 inches 


THE WOMEN AND THE SECRET 
Height, 51 inches; width, 39 inches 


/ v use 
o/s 63 lt oye 
; Y Fey - 
HELPING GRANDPA rs ae LAV KA 


Thomas B. Clarke Prize, National Academy of Design, New York, 1896 
Height, 41 inches; length, 52 inches 


( Wh, . = m 
a7 89d 67 on a OGte 
i? Ae or a kien | 68 ie ie 


iy) 89 69. ra 


a ee 64 £5 
YVONNE | 


Height, 123 inches; width, 9% inches 


aoe < 65 Ht. dlitaae 
HIDE AND SEEK er: 


Height, 12 inches; width, 9 inches 


ISLAND OF CAPRI 


Height, 9% inches; length, 123¢ inches nt 


THE VILLAGE STREET, NORMANDY ~ 
Height, 1234 inches; width, 9% inches 7 , 


| POULDU,. BRITTANY 


Height, 9 inches; length, 12% inches — 


STUDY HEAD 
For Painting, ‘‘The Last Moments” 


Height, 9 inches; length, 12 inches 


of 2 4 i. Gln ley bes ode 


Top erALLsS OF THE RIVER INN, Sif 
MORITZ, SWITZERLAND | 


Water color 


Height, 10 inches ; length, 14 inches 


> 50 Se 
od. AA Pe < ws Artie 
FISHING BOAT 
Height, 1234 inches ; width, 834 inches 


ID ie ig Chic a 
THE COUNTRY ROAD, NORMANDY 
Height, 9% inches; length, 12% inches 


“tae 73 y 
OS 
IN THE RAIN kez pate Yan 
Height, 12 inches; width, 9 inches ia 


/) 


7. ean. 74 A 


BRITTANY BEAUTY < Car) tt-auee 


Height, 10 inches ; width, 8 inches } 
i 


s 0 75 Coo ae aa 


THERMI STABIAN, POMPEII 
Height, 74 inches ; length, 10% inches 


> as 
76 & ee An Ath ign 
BRITTANY HEAD 


Height, 714 inches ; length, 11 inches 


17 Aoivites Ge 
MENDING THE NET VA 


Height, 11 inches ; width, 7 inches 


78 ne 


THE CRATER, VESUVIUS 


Height, 7% inches ; length, 11 inches 


LOVE'S TOKEN 


Height, 1214 inches ; width, 6%4 inches 


x QO). errtr 


HARVEST DANCE > 
Study for Salon Medal Picture, 1882 
Height, 6 inches ; length, 9 inches 


81 Tire Hale 


SABOT MAKER’S HUT 
Height, 514 inches ; length, 9% inches 


Far}, 


>| ela 8 ff ln YK: CF ACE 


WASH DAY, BRITTANY 


Height, 5% inches; length, 9 inches 


83 A) NAannrc— 


THE RAINY DAY 
Study for Picture Purchased by Pennsylvania Academy of Fine Arts 
Height, 934 inches; width, 8 inches 


wm Sire Kw thao 


FO 
NIAGARA FALLS 


Height, 5% inches; length, 9% inches 


, 
-* o-Ldebr 
of 85 Nok andatn 
BANKS OF THE RIVER OISE ; 
Height, 5% inches; length, 9% inches 


THE HARVESTER 
Height, 11 inches; width, 8% inches 
, @ ie ) 
Aad 87 Neat ous ate 
BRITTANY YOUTH 
Height, 10% inches; width, 74 inches 


oem 


af 


3 


BO be y} jp () 
gg LY. ee teh Avie 


SUNSET, GRAND CANAL, VENICE 
Height, 74% inches; length, 10% inches 


89 Q. 1 Reve 


THE OLD MILL, BRITTANY 
Height, 5% inches; length, 9% inches 


/ VA 
he le A (pte 
PARIS 
Height, 5% inches; length, 9% inches 


i: oh andf~ 


ST. MARK’S CATHEDRAL, VENICE 
Height, 7% inches; length, 10% inches 


2 5, Latin 


VENICE, FROM MURANO 


Height, 74% inches; length, 10% inches 


9 if) 
7 . OF Jara : 


BATTLEFIELD OF BUZENVAL (WHERE 


HENRY REGNAULT FELL) 


Height, 36 inches; width, 29 inches 


a AG CVV “i LAN AVA 


—- 
‘700 — qyoxtnc cop's BLESSING / | 


Fs 0) 


a, 


em 


a 95 


Height, 39 inches; length, 514 inches 


VA 
ea ff 
Ur thar ae 


THE MILKING HOUR 
Exhibited at the Salon of 1892 
Height, 46 inches; length, 63% inches 


a 


6 eee te. 
9 ee : y lo Y UAW nate 
THE LAST MOMENTS 


Awarded Silver Medal at International Exposition, Paris, 1889 ; exhib- 
ited at the Royal Academy, London, 1892; Grand Gold Medal (Karl 


Ludwig Medal) at Vienna, 1893 
Height, 47 inches ; length, 63 inches 


| <i () Ve Y 
97 Naess hintaan 


THE GHOST STORY 


Exhibited at the Salon, Paris, 1894; Grand Gold Medal and Diploma 
of Honor, Atlanta, Georgia, 1895; awarded Gold Medal, Phila- 
delphia Art Club, 1897 

Height, 50 inches; length, 65 inches 


as OO fh Pte 
98 L.A. Unt 


? Nae 2 
UY 


NORMANDY GARDEN, GRANDCAMP 


Exhibited at the Salon, Paris, 1894 
Height, 51 inches ; length, 77 inches 


SALE FRIDAY AFTERNOON 


January Nineteenth 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2:30 O’CLOCK 


STUDIO FURNITURE 


DECORATIONS, COSTUMES, CURIOSITIES, 
RELICS, PAINTINGS, AND DRAW- 
INGS BY VARIOUS ARTISTS 


99—Antique Pompeiian Lamp. 


1oo—Antique Italian Majolica Holy Water Re- 
ceptacle. 


1o1—Statuette. Madonna and Child. Antique porce- 
lain. 


1oz—Antique French Brass Hanging Lamp. 
103—Antique Pottery. “Sibyl.” Pompeii. 
104—Gourd. Skilfully etched. Louchon, France. 


10o5—Antique Italian Majolica Holy Water Re- 
ceptacle. 


106—Bronze Statue, “The Water Carrier.” Re- 
production of antique Pompeiian in Naples Mu- 
seum. 


107—Roman Antique Copper Large Bowl. Repoussé 
ornamentation, dated 1752. 


108—Antique Copper Incense Burner. 
1og—T wo Antique Copper Water Vessels. 


110—Antique Italian Majolica Holy Water Re- 
ceptacle. 


111—Bust of Washington. Cast from the Houdon 
bust in the Louvre, Paris. 


112—Bust of Benjamin Franklin. Cast from the Hou- 
don bust in the Louvre, Paris. 


113—Venus of Milo. Reduced cast from the Louvre, Paris. 


114—The Fighting Gladiator. Cast from the Louvre, 
Paris. 


115—Antique Italian Leather Vellum Church 
Record. Hammered brass cover and mountings. 


116—Buffalo Head. 
117—Buffalo Robe. 


118—Two Lay-figures. Male and female. With ped- 
estals. ‘‘Galibert,’”’ Paris. 


-r1g—Mirror. Carved walnut frame. 


120—Venetian Chest. Cypress wood, inlaid and or- 
namented with wrought-iron finishings. 


121—Holland Standing Clock. Elaborately carved 
and mounted, with figure-ornaments in gilt-bronze. 
Made by Pietre Rossignol, Rotterdam ; eighteenth 
century. 


122—Bench. Brittany. With incised carving and turned 
spindles. 


123—Ancient Large Buffet. Dated 1650 and 1658. 
Elaborately carved in Byzantine style. 


124—Ecclesiastical Buffet. Brittany. With incised 
carving and turned spindles. 


125—Suite of French Furniture. Oak, heavily carved 
and turned ; upholstered in velvet embossed tapes- 
try ; comprises 2 fauteuils, 1 canapé, and 1 table. 


126—Werdrobe. Rococo, Brittany ; eighteenth century. 
Elaborately carved. 


127—Large Gobelin Tapestry. Historical subject ; 


with full border. 
10 feet 10 inches by g feet 3 inches. 


128—Large Gobelin Tapestry. Historical subject ; 


with full border. - 
g feet 6 inches by 9g feet 3 inches. 


129—Unusually Fine Fontainebleau Tapestry. 
Mythological subject ; Renaissance, with full border. 
8 feet by 6 feet 3 inches. 


129a—Oriental Portiére. 
: 13 feet 3 inches by 5 feet 3 inches. 


DRAPERIES AND COSTUMES 


130—Authentic First Empire Dress. Gauze. 


131—Authentic Louis XV. Costume. Rose-colored 
silk, elaborately embroidered. Consisting of coat, 
vest, and knee-breeches. 


132—Authentic Louis XV. Vest. Green silk, em- 
broidered. 


133—Authentic Louis XV. Costume. Silk brocade 
dress and skirt. 


134—Authentic French Knee-breeches. Leather. 


135—Amber Velvet Costume. Style of sixteenth cen- 
tury, consisting of cloak, vest, and knee-breeches. 


136—Sixteenth Century Cloak. Violet-colored velvet, 
embroidered in gold. 


137—Female Costume. White satin. Style of sixteenth 
century, consisting of waist and dress. 


138—Skirt. Cream-colored silk brocade. Sixteenth cen- 
tury style. 


139—Costume. Purple-colored velvet slashed with white 
satin and embroidered in gold. Sixteenth cen- 
tury style, consisting of cloak, jacket, and knee- 
breeches. . 


140—Modern Green Velvet Waist. 


141—Black Velvet Waist. With yellow cuffs. Six- 
teenth century style. 


142—Page’s Suit. Blue silk slashed with white silk. 
Sixteenth century style, consisting of jacket and 


breeches. 


143—Black Satin Costume. Sixteenth century style, 
consisting of jacket and breeches. 


144—Boy’s Coat. Purple silk. Louis XV. style. 

145—Italian Female Costume. Consisting of green 
velvet dress; one linen shirt, embroidered; one 
apron, embroidered in color ; one red drapery ; one 
pair of yellow silk cuffs ; one pair of sandals. 


146—Wig. Louis XV. 


147—Piece of Italian Brocade Silk. Louis XV. Em- 
broidered in silver. 


148—Piece of Italian Brocade Silk. Louis XV. 


149—Church Drapery. Brocade, embroidered in gold. 
Louis XV. 


150>—French Antique Church Banner. Embroidered 
in gold on both sides. 


151—Italian Haversack. 


APACHE INDIAN COSTUMES AND 
RELICS 


152—Leather Trunk. Decorated. 

153—Pappoose Cradle. 

154—Leather Belt. 

155—Necklace. Of walrus teeth. 

156—Necklace. With iron tracing. 

157—Bead Necklace. 

158—Necklace. With bear claw and brass ornaments. 


159—String for Hair. Decorated with brass bosses. 


160.—Bead Necklace. With mirror. 
161—Pair Earrings. 

162—-Four Pouches. With attachments. 
163—Haversack. 

164—Wrist Band for Bowstring. 
165—Seven Pairs of Moccasins. 
166—Two Pairs of Moccasins. With legs. 
167—Pipe. 

168—F lute. 

169—Water Basket Bottle. 

170>—Two Bows. 

171—Six Arrows. 

172—Two Headdresses. Eagle feathers. 
173—Quiver, Mountain Lion Skin. 
174—Buckskin Quiver. 


175—War Club. 

176—Indian Male Shirt. Green. 
177—Skirt for Young Squaw. 
178—Two Squaws’ Full Dresses. 
179—Three Pairs of Leggins. 
180—Two Pappoose Shirts. 


ALASKAN TRAPPINGS AND CURIOSITIES 
BROUGHT HOME BY A MEMBER OF 
THE UNITED STATES SURVEY ES- 
TABLISHING THE BOUNDARY LINE 
OF ALASKA 


131—Fur Suit. “ Parci,” so called by the Esquimaux, 
182—Pair Fur Boots. 

183—Pair Fur Gloves. 

184—Three Pairs Snowshoes. 

185—Two Small Birch Bark Canoes. 
186—Three Fishing Spears. 

187—Six Masks. 

188—Two Walrus Teeth. 

189—Five Spoons. 

190—Pipe. 

191—Bottle. Artistically covered with colored straw. 


191a—Collection of Birds’ Eggs. In great variety of 
colors. 


v4 J 


MISCELLANEOUS OIL PAINTINGS ° 
192 1G Ie 
GUIGOU, France 
Landscape 


Height, 8 inches; length, 7 inches 


Bee U/ . a nthe 
PAWL Ey PERAIRE, France 
Fishing Boats on the Seine 
Height, 4% inches; length, 8% inches 
(p ey 
194 oy \ Deny bora 
HENRY BACON, United States (; 
Figure 


Height, 9% inches; length, 7% inches 


(J cae) 4 


oe Fe tin a av 
je 8 Ea Sd OR United States 
Still Life 


Height, 6% inches; length, 9 inches 


CH ts 


Sy TRA Ui ee 
196 sl 
E. GRENET, | France 
Street View, Paris 


Height, 6% inches; length, 4 inches 


ot ‘a 


SN 


/ 0 


7 OF Ae 


A. VELY, i France 


Study for His Famous Salon Picture 


Height, 11 inches; length, 6 inches 


198 Ca v 


ERNEST ZIMMERMANN, Germany 


Peasant, Sixteenth Century 


Height, 6% inches; length, 5% inches 


, Crt 


HEINRICH HOEFFER, Germany 
Snow in the Village 


Height, 7 inches; length, 9% inches 


200 
ee ess as England 


The Fishing Smack 


Height, 7% inches; length, Io inches 


ae 


A. KINDLER, Germany 


German Male Peasant Head 


Height, 7 inches; length, 534 inches 


Y 


we 


ru fl 
202 LU‘ Lanse 
POASINDLER, Germany 
German Female Peasant Head 


Height, 7 inches; length, 51% inches 


Ora 
203 i Ae 
BALZER 


Swiss Glacier. 


Height, 4% inches; length, 9 inches 


f) poe iP 
Mate 
204 


Pk OEHLER, Germany 
Louis XV. Figure 


Height, 10 inches; length, 7% inches 


205 
Powel iP ROETH, Germany 
A Stream 
Height, 7% inches; length, 12 inches 


200 | 


JULIEN DUPRE; France 


Landscape with Animals 


Height, 10 inches; length, 14 inches 


hoe 


“ /] 
; 207 ( P town tb 
LEON CORDIER, France 
Twilight 


Height, 8 inches; length, 15 inches 


208 ? ps av 


AO ECIULEER. Germany 
Boran, Near Paris 


Height, 10 inches; length, 15 inches 


209 xf, We 


A. BODENMULLER, Germany 
Courtship 


Height, 11 inches; length, 9 inches 


HENRY MUNSTERJHELM, Finland 
Moonlight in Finland 


Height, 8 inches; length, 12 inches 


aiid sy he 


CHRISTIAN MAHLI, Germany 
Chiemsee 


Height, 10 inches; length, 15 inches 


wa 


( Gi 


ey 
Ug J BYE 
Peeve mel DERICH, Germany 
Head 


Height, 15 inches; length, 13 inches 


213 bine 
J. AVANZI, Italy 
| Old Street in Naples 


Height, 1734 inches; length, 123¢ inches 


/ oO / 4— 
. AOA” 
214 
RICHARD A. ZIMMERMANN, Germany 
The Oaks 


Height, 11 inches; length, 13 inches 


‘) 


aia / 
; ae £ HAP 
BEON G. PELOUSE, France 


The Village of Pont Aven 


Height, 14% inches; length, 22 inches 


mals 


216 Nig ate cia 
HENRI BRISPOT, France 


Service in Church 


Height, 18 inches; length, 15 inches 


) Y 
| y 
( « Cao 
HENRY MUNSTERJHELM, Finland ee 
Fjord, Finland 
Height, 6% inches; length, 14 inches 
8) 218 7 (Of nee 
BERNHARD LINDHOLM, | Finland 
Breaking the Ice, Finland 


Height, 13 inches; length, 16 inches 


/] 


js / 
0 219 Wo 74 
A. DAHLEN, Germany 


Deer in the Forest, Winter 


Height, 16 inches; length, 11 inches 


oon 220 Lay Ve 
ELIE DELAUNAY, France 
Italian Head, Theodora 


Height, 15% inches; length, 12 inches 


I See 221 


ELIE DELAUNAY, France 
Italian Male Head 


Height, 14% inches; length, 11 inches 


Cz 


4 ZIMMERMANN, Switzerland 


In the Mountains 


Height, 113¢ inches; Imngth, 17 inches 


> 
s (me, 223 ( Wry 
HARRY CHASE, United Statés 


Marine 


Height, 15 inches; length, 22 inches 


fo, Eye, ee 


224 AAR 


LEON G. PELOUSE, France 
Etang Neuf, Meuse 


Height, 16 inches; length, 21 inches 


wie 7 OF 
i 225 AVY 2L- 
Pee oANG, England 
Treport 
Height, 20 inches; length, 24 inches 2 
/ 6 ca 

ae Gena AVS 

ee PICKNELL, United States 


Pouldu, Brittany 


Height, 14 inches; length, 20 inches 


os 
AO 227 LO env ate 
LEON G. PELOUSE, /France 


The Old Cherry Tree 
Height, 28 inches; length, 21% inches 


so a 
RSE, 228 x ler 
PAUL E. PERAIRE, France 


La Marne a Champigny 
Height, 25 inches; length, 36 inches 


sf 429 Ohrid 
GUSTAVE BOULANGER, Me: 
Panel studies for his decorations at the Monte Carlo Theatre 


Saint Cecile 
Height, 15 inches; length, 30/4 inches 


Dance 


Height, 13 inches; length, 27% inches 


Music, Orpheus 
Height, 13 inches; length, 271% inches 


a ae a é fas: th nvee 


A. BODENMULLER, Germany 


Still Life 
Height, 56 inches ; length, 46 inches 


ae 


ws 


ae 


10 


WATER COLORS 


at 


Oop 
231 U 77 
GUSTAVE DORE, France 
Bridge on the Neste, Pyrenees 


Height, 14 inches; length, 21 inches 


se oh eee 
GUSTAVE DORE, ; rar ge 


Deer in the Forest of Fontainebleau 


Height, 22 inches; length, 17 inches 


233 OR tr0-4 


O. SAUNIER, Ffance 


Reverie 
Height, 934 inches; length, 13% inches 


234 3 Chen tarttr_ 


Pe oI RSCHBERG 
Normandy Peasant Child 


Height, 11% inches; length, 9% inches 


renin 
235 
O-SAUNIER, France 
On the Beach, Normandy 
Height, 93/ inches; length, 13% inches 


DRAWINGS 


236 Fe clr 


EMILE LEVY, France 
The Young Artist 


Height, 10 inches; length, 13 inches 


237 AW 
V. BIENNOURRY, France 
Cupid Blindfolded 


Original study for picture in the Grenoble Museum 


Height, 14 inches; length, 13 inches 


aay fp 
Pie y 
238 © Liant— 
V. BIENNOURRY, France 
Cupid 


Study for the original in St. Elizabeth Church, Paris 


Height, 14 inches; length, 13 inches 


239 (be 


V. BIENNOURRY, France 


Cupid’s Music and Dance 
Study for Tuilerie Decorations, Paris (destroyed in 1871) 


Height, 12 inches; length, 12 inches 


ee 


ie 


240 ( CArrvt— 
V. BIENNOURRY, France 


Five Studies, Allegorical Figures 


Studies for Tutlerte Decorations, Paris (destroyed in 1871) 


Bet | ( e Cred 


V. BIENNOURRY, Y ~ France 


Height, 22 inches; width, 17 inches 


Five Studies, Allegorical Figures 
Studies for Tutlerie Decorations, Paris (destroyed in 1871) 


Height, 22 inches; width, 17 inches 


apy : 
ae U4 Lanrt- 


V. BIENNOURRY, France 
Five Studies, Allegorical Figures 
Studies for Tuilerie Decorations, Paris (destroyed in 1871) 


Height, 22 inches; width, 17 inches 


243 OF (A A 
Peco RATT H, Germany 
The Stampede 


Sketch on reverse side 


Height, 9 inches; length, 934 inches 


O04 : y aeaeet 
I. W. SCHIRMER, 
Italy 


Height, 27% inches ; length, 4a inches 
Vie) Ned 245 
F. P. HASENCLEVER, ee 2 By 

The Politician 


Height, 10% inches ; length, 14% inche 


mS 


THOMAS E. KIRBY, 


Auctioneer 


SAAC MS eet romtad 


i ae 


OSS 


Ye : 


+? 


— a 
te 


i es = 
. ae 


So: ; 
+ + +> 
= 


SS es 


: ante 


Sg 
a > 
ha 
— 


pe ae 


Ss 
~~ 


Se 
mee 
ae 


ee ana 
mI an 
> oa 
= 
- 


ee 
nog ey PS . 


rate 


aa 
Sook 
on 


See 


a 


20m ecg 
Sips aed 


ne 
oy 


~¥- 


 —— 


=e 
> 
*. 


Port ses 


—— 


ats 


— 


= 


edie acpeiee 
eg 
el EN meg 


; es tt 
; ae 7 4 
i a ay 

cet atte iti 


“te 
aoe 


a ; . = 
= Ae *< ‘ . 


te 
2 


ne errs 
re 
asi 


a 


Sigs 


ge ee eee ee 
ee sae th 


t+ viele? } 
eae? i®; ah eee 
hey tp ease ee 


oe 


= 
we 


ttt 

Ag f ie 
wht i alt 
ni ites ot Me Hie 


Nee 
M a aay Hat fre 
a ie i: ‘4 nie 


Mt 
sua 


in 


3 


2 
x2 ad ner 
ta 


° ! 
itis 
dit 


se 
28> eee 
—- 
rai sSee 
= 
". 
eS 
~~ 


> 
= 
— 
one 
ar 
= 
— 
Pn 
ae 
ae 
os rien 
Bo vs 
Sot a 
~_a = 
— e 
= 
= 
Pe PR. 
re 
nn 
se 
— 
es 
ate 
~~ 
ah. 
Cana 
oe 


~ 


= a 
ea 


oe 
—™. 
—— 
- > 


%, 

‘ a¢ Ait fet 

ih viet ; Oy ; et : aes 
Lh +: 


- 
> 
oy 


i 
= 
es 
pen 
a 
ae 
7 
> 
~ 


x 
Senteieo 


nearer aoe 


as 
Se a 
ee 
> ond. 


a Ht vie 

res ni ) 

Dah a 
j me i ma aa 


C Kaine 
placentae se 
on 


~ 


Pfeil et 
oe 


— 


Aided 
ete se € 4 

t} he fs 

Bish ree its HAW he a, Z 


a 
pF 
™ 
A le A Bl 
re 
P+ oct ye 


ne 
a PP Pre 
bon 
ren 
— 


fi 


PS 
= 
> 
Aa 


<— a 
pean a 
oe 


ee a) Rs ais te 
ay y Hi all 
ie Hi aa 

oe 
SH RaSh 
ait dite ‘ ate iit ; 

Hehietohatanty A 
MEAS 


ee 
~~ 
> 


—¥ 


em 


; 
wae 4 : <) 
ae Bete ia ch 
ie 
iat ‘ ai Mite ) 
7". 
ie 
OV; / ae 
fe ‘ re Hi f 
* ‘ i ae 4 abt ¥ { 
asta i TSR MRS OR | 
é 4,3 “O} a ‘ ; ¥ R ie 
Woste. ihe: ie, 7h stele ers ete: Me: Fase late ita mt. 

i ; iy 3) Ota daar tidy on His at f ate CPP DA Mihi Hileecteat (feu? Be Ke Ae Wea ibs 9: 
af He Pie eh Ny igh ib itt afk ae RS SUMS eR at TaN: MSitarpteiethcnt k cesereei homie ATRL eke 
tat uy if hi Haan aye tit ‘ 4 6 ele | ie be teh at qi Ne Aaah) Robatat itta te Wie ahr 
Peed seh roti eit % 04 Ny ‘ th ¢ ites ‘ Hy in POPP RPT TF FACT At CME aS Ot Sena, 
oe , at it ) " ‘i ae ai tt Hattie ee i i ulin etttetitatets i Yi neue Mite Aes i Hil atthe 4 Oe fit “is 

Mana ROMaaMNuaE MN ciaINlasiiMl ie wee eto fo 
a4 (fe Vy if th ey i tre tat tie oy Fait tht eae b a’ we Kee Pn me rag ah ; 7 
* inti Mnhaayte tlt i) iS i ah ‘j I DEAE WAT AN acme f 
iets. AAI Metres etedelsrectititantestet ts A CACO OCDE Hot ALE in Di MFCR ARUP Ue a 
eligi br atata atesh rn teTa ent Lis Sista ttt Hittite We iteratatetah titan milecate ie esse ay 
tes it sHiRCli trian :¥ ae Moe ey miele; Lats #75 at att it i _ ¥ 
Hidte ii sitet aise 1) ‘ : fF tt: 
eine tee) et steht acess 
i¥ N yee y i Aig 
nh (Cetnenh ah Had ¢ 
ee 
Haein pata 
Feolot PRED PLD ENE Pal 
Hanitadaialitns as 
iy nantes ti waste 
: (i Ad taeet ict vhs 
iy Cite etehae'( ph Nx ; 
AT ay 4 Hae! ereleteee bet TN, 7 
Hat seitceutst itt os : ile 
‘ tid att assay i eee! st hia) t 4 
RE HONORE 
oo 
f ; ny ath Ca ee teehee ia at i8 
SZ % i 5. faataratyact alecedeiytae rite 
By arate aa delay data? At 
i : a alee reas 4 iy i te Hit, 
f ‘ ‘ I on 
LOU HATE IOUS eR a 


